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Kazimierz Serocki – przemiany twórcze i ich konteksty

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dc.contributor.author Schiller-Rydzewska, Joanna
dc.date.accessioned 2015-01-23T14:00:34Z
dc.date.available 2015-01-23T14:00:34Z
dc.date.issued 2014
dc.identifier.citation Muzyka Historia Teoria Edukacja 2012, nr 2, s. 11-20 en_US
dc.identifier.uri http://repozytorium.ukw.edu.pl/handle/item/1418
dc.description.abstract Kazimierz Serocki is one of the leading figures of Polish music in the 20th century. An outstanding and interesting artist, an activist and organizer of music life. Thirty years after his death his accomplishments are clearly seen in historical context. This historical recognition should be seen in two contexts: personal and general, covering social, political, historical and cultural transformations. First, the article presents the ups and downs of composer’s life -school and later university years, scholarship in Paris, and the very rich and diverse activities of Serocki when he returned to the country – among others a Group of 49 and his active role in organizing the Warsaw Autumn Festival. Historical events create context for Serocki’s works which evolve accordingly to changes in polish music in second half of XX century. We can observe movements such as: folk, dodekafonic, serialism of material, aleatorism and open form experiments, even with electronic music. The style of Serocki’s music is versatile, rich and diverse. en_US
dc.language.iso pl en_US
dc.publisher Wydawnictwo Uniwersytetu Kazimierza Wielkiego w Bydgoszczy en_US
dc.title Kazimierz Serocki – przemiany twórcze i ich konteksty en_US
dc.title.alternative Kazimierz Serocki - creative transformations and their contexts en_US
dc.type Article en_US

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