| dc.contributor.author | Kienik, Tomasz Marcin | |
| dc.date.accessioned | 2015-01-23T13:58:02Z | |
| dc.date.available | 2015-01-23T13:58:02Z | |
| dc.date.issued | 2012 | |
| dc.identifier.citation | Muzyka Historia Teoria Edukacja 2012, nr 2, s. 21-26 | en_US |
| dc.identifier.uri | http://repozytorium.ukw.edu.pl/handle/item/1417 | |
| dc.description.abstract | The paper is a review of some basic issues concerning the mature musical output of this composer. Points to the still underestimated role in Polish history of twentieth century music, shows the sonorism (“sonoristics”) as a leading technique in his work as a composer. This paper shows Serocki in light of the avant-garde and innovation. In addition, it is a brief introduction to the results of the doctoral thesis of the author, who proved that the pitch parameter of Serocki’s works remained a part of primary importance. | en_US |
| dc.language.iso | pl | en_US |
| dc.publisher | Wydawnictwo Uniwersytetu Kazimierza Wielkiego w Bydgoszczy | en_US |
| dc.title | Świat sonorystyki Kazimierza Serockiego | en_US |
| dc.title.alternative | The Sonoristic World of Kazimierz Serocki | en_US |
| dc.type | Article | en_US |
