Odmienność estetyki brzmienia w sonatach skrzypcowych kompozytorów bydgoskich

Abstract

The article is an attempt at viewing the violin sonatas created by Bydgoszcz composers in the second half of the 20th century, from the point of view of aesthetics. It is an contributory article written on the basis of wider research, carried out for a few years, on Polish violin sonata of the 20th century. Introductory deliberations pertain to the concept of aesthetics with reference to sound as an aesthetic value. It is followed by the main part of the article: a review of sonatas by three composers: Konrad Pałubicki, Ryszard Kwiatkowski and Marcin Kopczyński. Remarks pertaining to other works are preceded by characteristics of lifetime works of the composers.