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Odmienność estetyki brzmienia w sonatach skrzypcowych kompozytorów bydgoskich

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dc.contributor.author Renat, Maryla
dc.date.accessioned 2015-01-23T13:50:00Z
dc.date.available 2015-01-23T13:50:00Z
dc.date.issued 2012
dc.identifier.citation Muzyka Historia Teoria Edukacja 2012, nr 2, s. 56-82 en_US
dc.identifier.uri http://repozytorium.ukw.edu.pl/handle/item/1414
dc.description.abstract The article is an attempt at viewing the violin sonatas created by Bydgoszcz composers in the second half of the 20th century, from the point of view of aesthetics. It is an contributory article written on the basis of wider research, carried out for a few years, on Polish violin sonata of the 20th century. Introductory deliberations pertain to the concept of aesthetics with reference to sound as an aesthetic value. It is followed by the main part of the article: a review of sonatas by three composers: Konrad Pałubicki, Ryszard Kwiatkowski and Marcin Kopczyński. Remarks pertaining to other works are preceded by characteristics of lifetime works of the composers. en_US
dc.language.iso pl en_US
dc.publisher Wydawnictwo Uniwersytetu Kazimierza Wielkiego w Bydgoszczy en_US
dc.title Odmienność estetyki brzmienia w sonatach skrzypcowych kompozytorów bydgoskich en_US
dc.title.alternative Difference in aesthetics of sound in the violin sonatas by Bydgoszcz composers en_US
dc.type Article en_US

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