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dc.contributor.authorRosiński, Adam
dc.date.accessioned2015-01-23T13:44:35Z
dc.date.available2015-01-23T13:44:35Z
dc.date.issued2012
dc.identifier.citationMuzyka Historia Teoria Edukacja 2012, nr 2, s. 100-113en_US
dc.identifier.urihttp://repozytorium.ukw.edu.pl/handle/item/1412
dc.description.abstractThe text presents the general problem of using the virtual music instruments in the realization of the sonorization of the compositions and music arrangements. The problem was based on the tests carried out by the author among the composers (lecturers in the Academies), which directed him to formulate the subject of this work. The text presents the subjects: the application of the score editors in the virtual instrumentalization, methods and types of extracting the sound from the digital instrument - creating totally different conditions of playing than a real instrument. The author of the article being aware of the lack of appropriate and at the same time specialized literature concerning composition and digital arrangements, showed some aspects of using a computer in the work of composer and composer-educator.en_US
dc.language.isoplen_US
dc.publisherWydawnictwo Uniwersytetu Kazimierza Wielkiego w Bydgoszczyen_US
dc.titleZastosowanie wirtualnych instrumentów muzycznych w realizacji udźwiękowienia kompozycji i aranżacji muzycznychen_US
dc.title.alternativeThe application of virtual music instruments in the realization of sonorization of the compositions and music arrangementsen_US
dc.typeArticleen_US


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