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dc.contributor.authorBukowska-Marczak, Ewa
dc.date.accessioned2019-11-07T13:01:24Z
dc.date.available2019-11-07T13:01:24Z
dc.date.issued2017
dc.identifier.citationBukowska-Marczak E., Irena Bohuss-Hellerowa - zapomniana postać lwowskiej sceny operowej. Muzyka Historia Teoria Edukacja 2017, nr 7, s. 19-27.en_US
dc.identifier.urihttp://repozytorium.ukw.edu.pl//handle/item/6539
dc.description.abstractIrena Bohuss-Heller was one of the most popular artists of the Lviv opera scene at the turn of the 19th and 20th centuries. She gained popularity not only as a famous opera singer, but also as the wife of the director of Municipial theatre, Ludwik Heller. On the Lviv opera scene she appeared as Ulana in Manru, as tatiana in Eugeniusz Oniegin, as violetta in Traviatta. She also appeared on the stages of Europe, such as teatro Lirico in Milano and London’s Covent Garden. During the First World War she lived in vienna and was gaving singing lessons. When she returned to the Poland (after war), she played only dramatic roles in the Warsaw theatres. At the end of her life she suffered from depression;in June 1926 she committed suicide. Despite the great popularity (at the turn of century) over time she was forgotten.en_US
dc.language.isoplen_US
dc.publisherWydawnictwo Uniwersytetu Kazimierza Wielkiego w Bydgoszczyen_US
dc.subjectIrena Bohuss-Hellerowaen_US
dc.subjectoperaen_US
dc.subjectmuzyka operowaen_US
dc.subjectLwówen_US
dc.titleIrena Bohuss-Hellerowa - zapomniana postać lwowskiej sceny operowejen_US
dc.title.alternativeirena Bohuss-Heller: the forgotten Lviv opera singeren_US
dc.typeArticleen_US


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