dc.contributor.author | Renat, Maryla | |
dc.date.accessioned | 2015-01-27T11:51:56Z | |
dc.date.available | 2015-01-27T11:51:56Z | |
dc.date.issued | 2014 | |
dc.identifier.citation | Muzyka Historia Teoria Edukacja 2014, nr 4, s. 91-118 | en_US |
dc.identifier.uri | http://repozytorium.ukw.edu.pl/handle/item/1438 | |
dc.description.abstract | The article shows analysis of an important work by the composer, written in the last period of his artistic work. Chain II, with its subtitle Dialogue for violin and orchestra, was written in 1986, and it is Lutosławski’s second work in a row, presenting the technique of chain interlocked formal sections, as well as the consecutive stage in development of the harmonic language. The text of the article is divided into four major issues. | en_US |
dc.language.iso | pl | en_US |
dc.publisher | Wydawnictwo Uniwersytetu Kazimierza Wielkiego w Bydgoszczy | en_US |
dc.title | „Łańcuch II” Witolda Lutosławskiego. Instrumentacja – technika koncertująca – dramaturgia | en_US |
dc.title.alternative | Chain II by Witold Lutosławski. Instrumentation – concert giving technique – dramatic effect | en_US |
dc.type | Article | en_US |