O obszarach muzycznej czasoprzestrzeni w twórczości chóralnej a cappella Andrzeja Koszewskiego

Abstract

The article is divided into three parts: Introduction, Space-time Areas and Epilogue. In the first part the author provides the explanation of the term: music space-time taken from the literature. the research of Michaił Bachtin serves here as a support. In the second part the author presents such subjects as: sound zone, ratio zone, spirituality zone and in-between zone which all are related directly to the choral artistic output of Andrzej Koszewski. The author explains the subject of the space-time using the example of choral pieces: Ballata, Muzyka fa-re-mi-do-si, Nicolao Copernico dedicatum. The article ends with the Epilogue in which the author summarizes her research on the space-time in the pieces composed for the a capella choir. This is expressed with the following statement: Time and space in the artistic output of Andrzej Koszewski proclaim the unique shape of music space-time. This zone exists in the space-time of human voice sound world and music sacrum of Koszewski exists in the space-time.