Blok, 2004, No 3
Stały URI dla kolekcjihttps://repozytorium.ukw.edu.pl/handle/item/5168
A Denied Continuity: the Shift of 'Heritage' as Ideology in Romanian Socialist Architecture
From the Factory to the Fiat: Thirty Years of the “Song of the Counterplan”
Socialist Realism and Subversion: Alfred Schnittke's “Life with an Idiot”
The Spectacle of Masculinity in Sports and Dance. Grigorii Alexandrov's „The Circus” and Abram Room’s „A Stern Young Man” - a Paradigm and a Pariah
„Discipline and Punish”: The Body as a Site for Stalinism in “Burnt by the Sun”
Between Escape and Tourism - Czech and Polish Travel Films of the Postcommunist Period
Stalin's Sweet Revenge or on Some Consequences of Close Encounters Between Film Criticism and Politics. Around Recent Discussions on Socialist Realist Cinema in Poland
Projection and Denial: The Party's Attitudes Towards Mickiewicz in the Stalinist Era, 1948-1955
All that Jazz! On Tyrmand's Challenge to Stalinism
Dream Factory Communism: the Visual Culture of the Stalin Era, Shirn Kunsthalle Frankfurt
Laurel E. Fay / Shostakovich: A Life
Jean Antoine-Dunne, Paula Quigley (Eds.) / Critical Studies Vol. 21: The Montage Principle, Eisenstein in New Cultural and Critical Context
Carl Tighe / The Politics of Literature. Poland 1945-1989
Stalin, Aleksandrów, Szczors i inni
Między branżystami a propagandystami
Socrealizm na scenie (i za kulisami)