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Sztuka jako modlitwa w esejach Joanny Pollakówny

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dc.contributor.author Górecka, Ewa
dc.date.accessioned 2021-06-03T14:16:10Z
dc.date.available 2021-06-03T14:16:10Z
dc.date.issued 2010
dc.identifier.citation Górecka Ewa, Sztuka jako modlitwa w esejach Joanny Pollakówny, W: Meandry tożsamości, red. G. Cyran, E. Skorupska-Raczyńska. Szczecin 2010, S. 177-191 en_US
dc.identifier.uri http://repozytorium.ukw.edu.pl//handle/item/7632
dc.description.abstract Joanna Pollakówna’s essay writing is an evidence of reflection over art and spirituality of a person for whom beauty bears an aesthetic and religious character, and communing with it is a form of self-knowledge. In her essays views of Italian humanists (Ficino, Bombo) and the opinion of S. Weil are significant links as far as interpretation of painting understood as a form of prayer is concerned. Her essay writing is characterised by a diversity of analysed paintings (landscape, still life, portrait, icon, religious works) and their creators who stem from various periods (Zurbarán, Bellini, Savoldo, Titian, Bassano, Chardin, Redon, Stajuda, Spychalski, Nowosielski). For Pollakówna blending aesthetic and spiritual experiences is a sign of painting’s value and art is an expression of its creators searching for identity. For receivers and artists, on the other hand, it is a sign of resistance to passing time. en_US
dc.language.iso pl en_US
dc.subject sztuka en_US
dc.subject modlitwa en_US
dc.subject eseje en_US
dc.subject Joanna Pollakówna en_US
dc.title Sztuka jako modlitwa w esejach Joanny Pollakówny en_US
dc.type Book chapter en_US
dc.description.sponsorship Projekt Operacyjny Polska Cyfrowa POPC.02.03.01-00-0039/18

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