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dc.contributor.authorGórecka, Ewa
dc.date.accessioned2021-06-03T14:16:10Z
dc.date.available2021-06-03T14:16:10Z
dc.date.issued2010
dc.identifier.citationGórecka Ewa, Sztuka jako modlitwa w esejach Joanny Pollakówny, W: Meandry tożsamości, red. G. Cyran, E. Skorupska-Raczyńska. Szczecin 2010, S. 177-191en_US
dc.identifier.urihttp://repozytorium.ukw.edu.pl//handle/item/7632
dc.description.abstractJoanna Pollakówna’s essay writing is an evidence of reflection over art and spirituality of a person for whom beauty bears an aesthetic and religious character, and communing with it is a form of self-knowledge. In her essays views of Italian humanists (Ficino, Bombo) and the opinion of S. Weil are significant links as far as interpretation of painting understood as a form of prayer is concerned. Her essay writing is characterised by a diversity of analysed paintings (landscape, still life, portrait, icon, religious works) and their creators who stem from various periods (Zurbarán, Bellini, Savoldo, Titian, Bassano, Chardin, Redon, Stajuda, Spychalski, Nowosielski). For Pollakówna blending aesthetic and spiritual experiences is a sign of painting’s value and art is an expression of its creators searching for identity. For receivers and artists, on the other hand, it is a sign of resistance to passing time.en_US
dc.language.isoplen_US
dc.subjectsztukaen_US
dc.subjectmodlitwaen_US
dc.subjectesejeen_US
dc.subjectJoanna Pollakównaen_US
dc.titleSztuka jako modlitwa w esejach Joanny Pollakównyen_US
dc.typeBook chapteren_US
dc.description.sponsorshipProjekt Operacyjny Polska Cyfrowa POPC.02.03.01-00-0039/18


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