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dc.contributor.authorDarłak, Grażyna
dc.date.accessioned2015-01-27T09:27:14Z
dc.date.available2015-01-27T09:27:14Z
dc.date.issued2013
dc.identifier.citationMuzyka Historia Teoria Edukacja 2013, nr 3, s. 87-99en_US
dc.identifier.urihttp://repozytorium.ukw.edu.pl/handle/item/1427
dc.description.abstractAndrzej Koszewski - a composer, a musicologist and an educationalist. His name - due to the songs, for example „Zdrowaś królewno wyborna” or „Ad Musicam” - is probably known to all the choir singers in Poland. It is also familiar to many foreign choirs that are active almost in all parts of the world. Peripheral to Andrzej Koszewski’s vocal works there is still artistic work dedicated to solo voice. that artistic work includes just few compositions, such as: „3 Kołysanki” for soprano and piano words by Henryk Piotrowski, Jerzy Kierst; „Wokaliza„ to the theme of the chorale by J.S. Bach for soprano and piano/organs ; „Brewiarz miłości„ for baritone and instrumental band and „O świcie, o zmroku„. A triptych for soprano and piano words by J. Ratajczak. Within the solo vocal lyric by Andrzej Koszewski there is a predomination of traditional treatment of human voice by the composer as well as traditional shaping the form and the melics. The songs and lieder for solo voice are dependent to large extent on poetic words. Composer’s sensitivity to a timbre as well as numerous dynamic and agogic nuances introduced in the score play a significant role. The solo vocal lyric by Andrzej Koszewski constitutes a certain - incredibly beautiful and interesting - love breviary: composer’s love to music and poetry, love to beauty, love to a human being and his voice, love to a child as well as love to a tradition.en_US
dc.language.isoplen_US
dc.publisherWydawnictwo Uniwersytetu Kazimierza Wielkiego w Bydgoszczyen_US
dc.titleBrewiarz miłości. O solowej liryce wokalnej Andrzeja Koszewskiegoen_US
dc.title.alternativeLove breviary. On solo vocal lyric by Andrzej Koszewskien_US
dc.typeArticleen_US


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