<?xml version="1.0" encoding="UTF-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/">
<title>Muzyka Historia Teoria Edukacja, 2017, Numer 7</title>
<link href="https://repozytorium.ukw.edu.pl///handle/item/6533" rel="alternate"/>
<subtitle/>
<id>https://repozytorium.ukw.edu.pl///handle/item/6533</id>
<updated>2026-04-10T11:42:13Z</updated>
<dc:date>2026-04-10T11:42:13Z</dc:date>
<entry>
<title>Operowy świat ballad Stanisława Moniuszki</title>
<link href="https://repozytorium.ukw.edu.pl///handle/item/6540" rel="alternate"/>
<author>
<name>Bobrzecki, Krzysztof</name>
</author>
<id>https://repozytorium.ukw.edu.pl///handle/item/6540</id>
<updated>2019-11-07T13:05:55Z</updated>
<published>2017-01-01T00:00:00Z</published>
<summary type="text">Operowy świat ballad Stanisława Moniuszki
Bobrzecki, Krzysztof
the first set of Stanislaw Moniuszko’s songs was published in 1838 in Berlin. the&#13;
nineteen-year composer studied then under Carl Friedrich Rungenhagen. throughout his&#13;
whole life Moniuszko composed over 300 songs for solo voice and instrument. Among&#13;
them, there are the most simple ones, dedicated to be performed by amateurs. But there&#13;
are also many songs, often with the complicated inner formal structure, that may be&#13;
a challenge even for proffesional musicians. this category of works includes especially&#13;
Moniuszko’s ballades. they are mainly settings of Adam Mickiewicz’s poetry. the&#13;
narrative poetic text inspired Moniuszko to seek various forms of musical expression. In&#13;
his ballades one may recognize some elements from another genre of vocal music, namely&#13;
opera. there are some excerpts, that are set as recitativo secco or accompaniato. In other&#13;
places Moniuszko uses fast parlando, most likely inspired by the opera buffa. Lyrical&#13;
cantilena parts connote opera arias, while the dialogue passages may be viewed as duets.&#13;
Moniuszko attributed to piano part in his ballades such significance, that it may be&#13;
considered as an equivalent of an operatic orchestra. the composer also often uses&#13;
technique of musical painting, which to a certain extent can replace stage scenography.
</summary>
<dc:date>2017-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Irena Bohuss-Hellerowa - zapomniana postać lwowskiej sceny operowej</title>
<link href="https://repozytorium.ukw.edu.pl///handle/item/6539" rel="alternate"/>
<author>
<name>Bukowska-Marczak, Ewa</name>
</author>
<id>https://repozytorium.ukw.edu.pl///handle/item/6539</id>
<updated>2019-11-07T13:01:25Z</updated>
<published>2017-01-01T00:00:00Z</published>
<summary type="text">Irena Bohuss-Hellerowa - zapomniana postać lwowskiej sceny operowej
Bukowska-Marczak, Ewa
Irena Bohuss-Heller was one of the most popular artists of the Lviv opera scene at&#13;
the turn of the 19th and 20th centuries. She gained popularity not only as a famous opera&#13;
singer, but also as the wife of the director of Municipial theatre, Ludwik Heller. On the&#13;
Lviv opera scene she appeared as Ulana in Manru, as tatiana in Eugeniusz Oniegin, as&#13;
violetta in Traviatta. She also appeared on the stages of Europe, such as teatro Lirico in&#13;
Milano and London’s Covent Garden. During the First World War she lived in vienna and&#13;
was gaving singing lessons. When she returned to the Poland (after war), she played only&#13;
dramatic roles in the Warsaw theatres. At the end of her life she suffered from depression;in&#13;
June 1926 she committed suicide. Despite the great popularity (at the turn of century) over&#13;
time she was forgotten.
</summary>
<dc:date>2017-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>National Artist and Music Composer Milan Novák and Folklore Motifs in His Compositions (Selected Works)</title>
<link href="https://repozytorium.ukw.edu.pl///handle/item/6538" rel="alternate"/>
<author>
<name>Hudáková, Jana</name>
</author>
<id>https://repozytorium.ukw.edu.pl///handle/item/6538</id>
<updated>2019-11-07T12:57:26Z</updated>
<published>2017-01-01T00:00:00Z</published>
<summary type="text">National Artist and Music Composer Milan Novák and Folklore Motifs in His Compositions (Selected Works)
Hudáková, Jana
this paper aims to give an insight into the life of Milan Novák, the last living&#13;
composer to have received the title of National Artist. A representative of Slovak Musical&#13;
Modernism, Novák has received numerous awards, too. His compositional works are&#13;
both copious and inventive, covering a whole range of genres from minor instructive&#13;
compositions and folk song covers, through scenic and choral songs, music and dance&#13;
scenes, to major scenic and dramatic forms. this paper focuses on Novák’s works inspired&#13;
by folklore in particular.
</summary>
<dc:date>2017-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Eugen Suchon (1908-1993) - the Founder Personality of Slovak National Music</title>
<link href="https://repozytorium.ukw.edu.pl///handle/item/6537" rel="alternate"/>
<author>
<name>Medňanský, Karol</name>
</author>
<id>https://repozytorium.ukw.edu.pl///handle/item/6537</id>
<updated>2019-11-07T12:51:05Z</updated>
<published>2017-01-01T00:00:00Z</published>
<summary type="text">Eugen Suchon (1908-1993) - the Founder Personality of Slovak National Music
Medňanský, Karol
Eugen Suchon (1908 to 1993) belongs to the generation of Slovak musical modernism&#13;
and to the founders of Slovak national music. He studies at the Academy of Music and&#13;
Arts in Bratislava and in the years 1931 to 33 he studied the composition at Master’s class&#13;
of Prague Conservatoire under vítezslav Novak. By the detailed study of Slovak folklore&#13;
he reached particular composer’s style, which is represented by his own modal feeling.&#13;
Suchon is considered one of the most significant representative of modal thinking in&#13;
European music of 20th century, and his compositions were influenced by dodecaphony. He created the first Slovak national opera Whrilpool, which is abroad presented Katrena,&#13;
according to the main character. the core of his creation is piano and symphonic music,&#13;
and the significant phenomenon is the fact that almost all his piano works were&#13;
orchestrated by him later. He is the author of 6-part cycle of piano compositions for&#13;
children and youth Pictures from Slovakia that was orchestrated for various orchestras,&#13;
from violin trios to symphonic orchestra. Eugen Suchon in a significant way contributed&#13;
to the development of Slovak and European music.
</summary>
<dc:date>2017-01-01T00:00:00Z</dc:date>
</entry>
</feed>
