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<title>Blok, 2004, No 3</title>
<link href="https://repozytorium.ukw.edu.pl///handle/item/5168" rel="alternate"/>
<subtitle/>
<id>https://repozytorium.ukw.edu.pl///handle/item/5168</id>
<updated>2026-04-08T20:17:16Z</updated>
<dc:date>2026-04-08T20:17:16Z</dc:date>
<entry>
<title>A Denied Continuity: the Shift of 'Heritage' as Ideology in Romanian Socialist Architecture</title>
<link href="https://repozytorium.ukw.edu.pl///handle/item/5270" rel="alternate"/>
<author>
<name>Popescu, Carmen</name>
</author>
<id>https://repozytorium.ukw.edu.pl///handle/item/5270</id>
<updated>2018-03-15T12:30:28Z</updated>
<published>2004-01-01T00:00:00Z</published>
<summary type="text">A Denied Continuity: the Shift of 'Heritage' as Ideology in Romanian Socialist Architecture
Popescu, Carmen
</summary>
<dc:date>2004-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>From the Factory to the Fiat: Thirty Years of the “Song of the Counterplan”</title>
<link href="https://repozytorium.ukw.edu.pl///handle/item/5269" rel="alternate"/>
<author>
<name>Riley, John</name>
</author>
<id>https://repozytorium.ukw.edu.pl///handle/item/5269</id>
<updated>2018-03-19T01:01:21Z</updated>
<published>2004-01-01T00:00:00Z</published>
<summary type="text">From the Factory to the Fiat: Thirty Years of the “Song of the Counterplan”
Riley, John
</summary>
<dc:date>2004-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Socialist Realism and Subversion: Alfred Schnittke's “Life with an Idiot”</title>
<link href="https://repozytorium.ukw.edu.pl///handle/item/5268" rel="alternate"/>
<author>
<name>Rogatchevski, Andrei</name>
</author>
<id>https://repozytorium.ukw.edu.pl///handle/item/5268</id>
<updated>2018-03-15T12:26:16Z</updated>
<published>2004-01-01T00:00:00Z</published>
<summary type="text">Socialist Realism and Subversion: Alfred Schnittke's “Life with an Idiot”
Rogatchevski, Andrei
</summary>
<dc:date>2004-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>The Spectacle of Masculinity in Sports and Dance. Grigorii Alexandrov's „The Circus” and Abram Room’s „A Stern Young Man” - a Paradigm and a Pariah</title>
<link href="https://repozytorium.ukw.edu.pl///handle/item/5267" rel="alternate"/>
<author>
<name>Shembel, Daria</name>
</author>
<id>https://repozytorium.ukw.edu.pl///handle/item/5267</id>
<updated>2018-03-15T12:23:49Z</updated>
<published>2004-01-01T00:00:00Z</published>
<summary type="text">The Spectacle of Masculinity in Sports and Dance. Grigorii Alexandrov's „The Circus” and Abram Room’s „A Stern Young Man” - a Paradigm and a Pariah
Shembel, Daria
</summary>
<dc:date>2004-01-01T00:00:00Z</dc:date>
</entry>
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