Muzyka Historia Teoria Edukacja, 2011, Numer 1
https://repozytorium.ukw.edu.pl///handle/item/1383
2024-03-29T09:58:00ZAspekty wykonawcze madrygałów Claudio Monteverdiego
https://repozytorium.ukw.edu.pl///handle/item/1401
Aspekty wykonawcze madrygałów Claudio Monteverdiego
Cicconofri, Aldo
The article under a title L’esecuzione dei Madrigali di Claudio Monteverdi shows the development of the Madrigals of authorship of Monteverdi. The most important feature of this article is presentation of implementation of Madrigals. Moreover, the article describes in detail their internal structure. The article includes also a description defects in implementation of madrigals. There is also a detailed description of parting words for the conductors of choirs, carrying out madrigals.
2011-01-01T00:00:00ZMuzyka Chopina ostoją polskości na obczyźnie
https://repozytorium.ukw.edu.pl///handle/item/1400
Muzyka Chopina ostoją polskości na obczyźnie
Szubertowska, Elżbieta
The life and creative production of Fryderyk Chopin, a brilliant Polish composer of the Romantic Period, is associated with the times of rapid liberation movements and sociopolitical changes in Europe. He spent half of his short life abroad, being torn apart by tremendous emotions, which were later on reflected in his artistic production. From his diaries and letters we get to know about his activity both as a composer and a pianist, and about its great importance for his contemporaries; especially for his compatriots living in exile.
2011-01-01T00:00:00ZMuzyka w "Dziennikach" Eugène’a Delacroix
https://repozytorium.ukw.edu.pl///handle/item/1399
Muzyka w "Dziennikach" Eugène’a Delacroix
Rubin, Grzegorz
Eugéne Delacroix (1798-1863), painter, leading representative of French Romanticism. Since 1822 he noted the major events which occurred in his life, which occurred in Paris of that time. His Journals consist of two volumes: volume 1 encompasses the years 1822-1853, and volume 2 encompasses the years 1854-1863 so till the last years of the artist’s life. The author of the article is focusing mainly on his music interests. Delacroix registered his impressions after the opera events, symphonic concerts in Paris Music Society and also after the cameral concerts which took place in the saloons of Paris Aristocracy including the princess Marcelina Czartoryska. Delacroix is dedicating a lot of attention to Fryderyk Chopin to whom he was attached as a true friend and he painted one of the best pictures of Polish musician. The Journals are providing us a lot of information about the writers and composers working at that time.At that time in Paris the following artists were living and creating: A. Dumas, V. Hugo, A. de Musset or G. Sand, A.Adam, H. Berlioz, J.F. Halévy, G.Meyerber, G. Rossini. The Polish edition of the Journals was published thanks to translating them into Polish by Joanna Guze and Julia Hartwig.
2011-01-01T00:00:00Z"Requiem" Johna Ruttera - znany gatunek, wyjątkowa treść
https://repozytorium.ukw.edu.pl///handle/item/1398
"Requiem" Johna Ruttera - znany gatunek, wyjątkowa treść
Kaczyński, Arkadiusz
This prominent British composer has been very popular for many years because of his music - extremely appreciated, especially in Great Britain, Scandinavia and North America. Not very popular in Poland for a very long time, only in the United States of America his Requiem was presented hundreds times in the year of its premiere. Amongst Rutter’s compositions, apart from great vocal-instrumental forms, there are also smaller compositions with an instrumental or vocal accompaniment and a great amount of a cappella pieces. There are many funeral masses very well known in musical literature, amongst them some famed for its very advanced structure. Funeral masses of Hector Berlioz or Giuseppe Verdi, traditional but monumental, full of drama and exalted atmosphere are different from rather chamber construction of Rutter’s composition, although thematically it belongs to the same group of musical genre. The title of Requiem comes from the beginning of the text: Requiem aeternam dona eis Domine…Words are always related to the music in a very illustrative way, to emphasize a human idea of a posthumous existence. Regarding that matter Rutter’s composition is greatly clear. The text is organized clearly, almost theatrically and this gives a great range of possibilities concerning artistic expression especially for conductors but also for their choirs. It is not surprising that this composition is constantly presented on the concert posters all over the world. It is possible that some of critic opinions seem to be unflattering, indicating the fact that Rutter follows too much in his Requiem standards used by his predecessors like G. Faure or W.A. Mozart? But there is no doubt - John Rutter is an outstanding musical stylist, although his style is sometimes described as ‘sensitive sentimentality’. There are some specific features of his composer’s workshop, easily audible in every composition, which makes his music very unique and simply charming. Undoubtedly, Requiem remains an occasional piece, performed to emphasize very
special circumstances – but rather sad or tragic. But also, for outstanding individualities
amongst conductors, this kind of mass form will always be a potential structure to create
a subjective but in many ways – universal interpretation.
2011-01-01T00:00:00Z